Open Space Transparence – Liberté – Dématérialisation

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The aim of the study is to analyse and describe in detail one of the most important trends in architecture in the 19th and 20th centuries: the evolution leading from the closed, hermetic spaces of the early cultures and the Middle Ages to the open space and transparency of the 19th and 20th/21st centuries. Historically, the focus is on the diaphanous space of the Gothic cathedral, the opening of the late-Baroque dome towards the sky, the transparency of exhibition halls and hothouses in the 19th century, and the glass dreams of the early 20th century. The steel-and-glass technology of the…

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Description

The aim of the study is to analyse and describe in detail one of the most important trends in architecture in the 19th and 20th centuries: the evolution leading from the closed, hermetic spaces of the early cultures and the Middle Ages to the open space and transparency of the 19th and 20th/21st centuries. Historically, the focus is on the diaphanous space of the Gothic cathedral, the opening of the late-Baroque dome towards the sky, the transparency of exhibition halls and hothouses in the 19th century, and the glass dreams of the early 20th century. The steel-and-glass technology of the past one hundred years has permitted even more transparency, openness, and dematerialisation on a scale never seen before. It is notable — to quote just one aspect of the study — that many modern glass buildings have been compared to a crystal . This is the material with which we associate concepts such as purity, transparency, and order. We have thus also found a symbol for clarity and translucency in architecture. One key objective of the study is to demonstrate that this trend has been driven by no means only by a functionalist, pragmatic, or physical motivation but that, as in past epochs, the opening up of architecture reflects elementary desires of humankind: these are, first of all, psychological, aesthetic and artistic desires, the wish to overcome gravity as far as possible and, last but not least, the liberation of architecture and the attempt to resolve the heteronomy of indoors and outdoors . Many statements have suggested that this touches even on the borders of the irrational and the metaphysical. The study should therefore also contribute to a fresh debate on the boundaries of architecture and, most importantly, should serve as a plea to allow architecture to remain open, free, light, and transparent even in the future.

Langue
en
Version
Couverture rigide
Date de sortie initiale
09 janvier 2013
Nombre de pages
256
Illustrations
Avec illustrations

Personnes impliquées

Auteur principal

Gunther Feuerstein

Deuxième auteur

Feuerstein G

Editeur principal

Edition Axel Menges

Informations sur le fabricant

Informations sur le fabricant
Les informations du fabricant ne sont actuellement pas disponibles

Autres spécifications

Hauteur de l’emballage
292 mm
Hauteur du produit
22 mm
Largeur d’emballage
242 mm
Largeur du produit
243 mm
Livre d‘étude
Non
Longueur d’emballage
292 mm
Longueur du produit
292 mm
Poids de l’emballage
1388 g
Police de caractères extra large
Non

EAN

EAN
9783936681550

Sécurité des produits

Opérateur économique responsable dans l’UE

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Catégories

Art et Photographie

Architecture

Conception architecturale

Histoire de l’architecture

Livres

Livre, ebook ou livre audio ?

Livre

Disponibilité

Disponible à l’adresse suivante

Langue

Anglais

Type de livre

Hardcover

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