Eastman Studies in Music- Musical Analyses and Musical Exegesis The Shepherd’s Melody in Richard Wagner’s Tristan and Isolde

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Here translated for the first time, Jean-Jacques Nattiez’s widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner’s Tristan and Isolde. Here translated for the first time, Jean-Jacques Nattiez’s widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner’s Tristan and Isolde. The field of musicology has in recent decades branched out to incorporate methods from a wide range of other fields. But, when scholars examine a musical work, to what extent should they emphasize immanent (purely internal) features, and to what extent historical,…

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Here translated for the first time, Jean-Jacques Nattiez’s widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner’s Tristan and Isolde. Here translated for the first time, Jean-Jacques Nattiez’s widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner’s Tristan and Isolde. The field of musicology has in recent decades branched out to incorporate methods from a wide range of other fields. But, when scholars examine a musical work, to what extent should they emphasize immanent (purely internal) features, and to what extent historical, cultural, psychological, or aesthetic networks of meanings associated with those features? Finally, what specific analytical method should be chosen, given that various methods can lead to seemingly incompatible results? Jean-Jacques Nattiez, a renowned figure in music theory, musicology, and ethnomusicology, here examines numerous contending approaches that have been applied to the English-horn melody heard in Wagner’s Tristan and Isolde. His aim is to offer thereby a methodological guide and compendium that will allow specialists and students alike to navigate the multiplicity of theoretical orientations in musicology. Analytical models proposed by Heinrich Schenker, Nicolas Ruwet, Leonard B. Meyer, Fred Lerdahl, and other notable figures in the field of music analysis are discussed. Some of the analytical sketches by these scholars were previously unpublished and are presented to the public for the first time in the present book. The author also considers insights from the fields of psychology and psychoanalysis. An examination of Wagner’s wide-ranging musical sources (Venetian gondolier songs and Swiss shepherd songs) leads to acutely relevant passages in writings by Rousseau, Goethe, and Schopenhauer. The book culminates in Nattiez’s own interpretation of the relationship between vocal and instrumental music in Tristan and Isolde. Jean-Jacques Nattiez is professor emeritus of musicology at the Université de Montréal.

Langue
en
Version
Couverture rigide
Date de sortie initiale
15 mai 2021
Nombre de pages
470

Personnes impliquées

Auteur principal

Jean-Jacques Nattiez

Deuxième auteur

Joan Huguet

Rédacteur en chef

Joan Huguet

Editeur principal

University Of Rochester Press

Informations sur le fabricant

Nom du fabricant
Easy Access System Europe
Adresse électronique du fabricant
gpsr.requests@easproject.com
Informations sur le fabricant
Les informations du fabricant ne sont actuellement pas disponibles

Autres spécifications

Hauteur de l’emballage
229 mm
Largeur d’emballage
152 mm
Largeur du produit
152 mm
Livre d‘étude
Non
Longueur d’emballage
229 mm
Longueur du produit
229 mm
Poids de l’emballage
728 g

EAN

EAN
9781580469999

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Catégories

Art et Photographie

Musique

Musicologie

Livres

Livre, ebook ou livre audio ?

Livre

Disponibilité

Disponible à l’adresse suivante

Langue

Anglais

Période

env. 1800-1910

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