Middling Romanticism Lire dans les lacunes, de Kant à Ashbery

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Examines various forms of the middle (such as the medium, moderation, and mediocrity) that re-negotiated in the writings of British and German romanticism, along with a consideration of how our own relationship to romanticism is influenced by its medial thinking. “This engaging book offers a series of creative interventions into the debates about language and conceptuality that have preoccupied scholars of romanticism since the late 1970s. With his detailed accounts of complex lexical, grammatical, and rhetorical dynamics, Sng has set an enviably high standard of analysis.”—Jan Mieszkowski, Reed College Romanticism is often understood as an age of extremes, yet it…

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Examines various forms of the middle (such as the medium, moderation, and mediocrity) that re-negotiated in the writings of British and German romanticism, along with a consideration of how our own relationship to romanticism is influenced by its medial thinking.

“This engaging book offers a series of creative interventions into the debates about language and conceptuality that have preoccupied scholars of romanticism since the late 1970s. With his detailed accounts of complex lexical, grammatical, and rhetorical dynamics, Sng has set an enviably high standard of analysis.”—Jan Mieszkowski, Reed College Romanticism is often understood as an age of extremes, yet it also marks the birth of the modern medium in all senses of the word. Engaging with key texts of the romantic period, the book outlines a wide-reaching project to re-imagine the middle as a constitutive principle. Sng argues that Romanticism dislodges such terms as medium, moderation, and mediation from serving as mere self-evident tools that conduct from one pole to another. Instead, they offer a dwelling in and with the middle: an attention to intervals, interstices, and gaps that make these terms central to modern understandings of relation. Zachary Sng is Associate Professor of Comparative Literature and German Studies at Brown University. He is the author of The Rhetoric of Error from Locke to Kleist (Stanford, 2010).

Romanticism is often understood as an age of extremes, yet it also marks the birth of the modern medium in all senses of the word. Engaging with key texts of the romantic period, the book outlines a wide-reaching project to re-imagine the middle as a constitutive principle. Sng argues that Romanticism dislodges such terms as medium, moderation, and mediation from serving as mere self-evident tools that conduct from one pole to another. Instead, they offer a dwelling in and with the middle: an attention to intervals, interstices, and gaps that make these terms central to modern understandings of relation.

Langue
en
Version
Couverture rigide
Date de sortie initiale
02 juin 2020
Nombre de pages
224
Illustrations
Non

Personnes impliquées

Auteur principal

Zachary Sng

Editeur principal

Fordham University Press

Informations sur le fabricant

Nom du fabricant
Mare Nostrum Group B.V.
Adresse électronique du fabricant
gpsr@mare-nostrum.co.uk
Informations sur le fabricant
Les autres informations du fabricant ne sont actuellement pas disponibles

Autres spécifications

Hauteur de l’emballage
229 mm
Largeur d’emballage
152 mm
Largeur du produit
152 mm
Livre d‘étude
Non
Longueur d’emballage
229 mm
Longueur du produit
229 mm
Poids de l’emballage
260 g
Police de caractères extra large
Non

EAN

EAN
9780823288410

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Catégories

Hommes et société

Religion, spiritualité et philosophie

Poésie, anthologies et littérature

Médias

Science de la littérature

Philosophie

Traditions philosophiques

Idéalisme

Philosophie moderne

Livres

Disponibilité

Disponible à l’adresse suivante

Langue

Anglais

Courants

Idéalisme

Type de livre

Hardcover

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